The Invention of the Irish Harp – A Fishy story

In the year 592 the chief poet of Ireland, Dalian Forgaill, died. By unanimous consent of the ollamhs and professors of Poetry, his mantle was conferred on the young poet Seanchun.Tradition dictated that the new chief poet should confer the honour of his first visit, with his retinue of ollamhs,  to a King he admired and respected. That King was Guaire the Hospitable, king of Connacht.

During that visit, King Guaire invited his brother, Marbhan, a reclusive holy man to help with his demanding guests. Marban had retired from court to pray and meditate in Glenn Dallun. He related to  the guests, who offered to play the Cruit (Harp) for him how the Cruit was invented. His story was as follows:

‘There once lived a couple [a man and his wife] , Cuil the son of Midhuel was the man, and Canoclach Mhor was his wife. And the wife conceived a hatred to him, and she was [always] flying from him through woods and wildernesses ; and he continued to follow her constantly.

‘And one day that the woman came to the sea shore of Camas, and was walking over the strand, she met a skeleton of a whale on the strand, and she heard the sounds of the wind passing through the sinews of the whale on the strand ; and she fell asleep from the sounds. And her husband came after her [and found her asleep] ; and he perceived that it was from the soundsthe sleep fell upon her. 

‘And he then went forward into the wood, and made the form of the Cruit; and he put strings from the sinews of the whale into it ; and that was the first Cruit that was ever made.’

Castledermot High Cross

19th Century High Cross at Castledermot, Kildare, Ireland. On the left hand side is a depiction of David playing the Harp or Cruit. The first mention of a harp in Irish Mythology – History is in the history of the Tuatha De Danaan (1800 BC)at the 2nd battle of Magh Tuireadh.

The Irish Hobby Horse

There is a pervasive brightening in the air where the mighty Atlantic pummels the rocks and cliff faces and claws its way onto the secret shingle beaches of Connemara on the west coast of Ireland. Above the littoral a quilt of stony fields conjure up a mystical past. It is easy, in this magical place, to sense the timelessness of nature and our own brief sojourn in the vast sweep of creation. Here is the land of Queen Maeve, Cú Chulainn, Finn McCool, Oisín, the Fianna and the mysterious Tuatha de Danaan. Add to this a vision that time after time will startle the eye and the heart. It is the Connemara pony standing majestic and wild as the Atlantic in the tiny rock-strewn fields. They belong here, inseparable from the landscape like the stone walls, delicate as lace, that surrounds them.

Connemara Pony

Connemara Pony

 

The Connemara Pony has a noble history. It is descended from the, now extinct, Irish Hobby Horse. The Hobby was bred in Ireland from Spanish and Libyan stock.  According to James Lydon : “Hobelars (the name given to lightly armed riders on hobby horses) were highly mobile and excellent in scouting, reconnaissance  and patrols … eminently suitable to terrain in which military operations had to be conducted in Ireland.” In the Scottish Wars at the beginning of the 14th Century, Robert de Bruce and contemporaries like William Wallace deployed Hobelars to great effect against the bigger and more heavily armed knights of King Edward I (Longshanks) of England. The Hobelars could travel up to 60 miles in one day to escape or launch surprise attacks against their enemies.

Edward 1 - Longshanks

Edward I (Longshanks)

Robertthebruce

Robert de Bruce

 

Edward recognised the advantage these hobelars had in the mountains and marshlands of Scotland and he forbade the export of hobby horses from Ireland to Scotland. In 1296 he also requisitioned troops from Ireland and amongst them was 260 Irish Hobelars

We have a first-hand account of what is undoubtedly an Irish Hobby horse in 1399. Jean Creton, a valet-de-chambre to the French king Charles VI joined the English King, Richard II’s expedition to Ireland, via  Waterfoprd, with a large army. Richard wished to chastise Art Mor McMurrough , king of Leinster, for his blatant disregard of Richard’s  rule in Ireland. Art was not intimidated by Richard and he continuously harassed the English army on its way to Dublin. As a result, Richard sent his emissary, the Earl of Glochester, to treaty with Art.  Jean Creton observed that meeting and recorded it in his Histoire du  Roy d’Angleterre Richard 1399. He describes the arrival of Art:  ”He is a fine , large, handsome man, marvellously agile, yet stern of countenance and indomitable mien. He wore a high conical cap covering the knape of the neck and a parti-coloured cloak, long coat and undercoat all of gay yellow, crimson and blue. He rode a very swift horse of great value, valued that of 400 milch cows, having neither saddle nor house, but could rush down a hill faster than a deer or hare. After divers discourse Art told my lord: ‘I am the rightful king in this land, thereby it is unjust to deprive me of what is my land  and country by force of conquest.’”  There is an  illustration of that famous meeting in Jean Creton’s history.  King Art’s  horse is clearly depicted as being lighter than the horses of the English knights and Art is riding without stirrup or saddle which was typical of the Irish horseman at that time.

Art Mac Murrough arriving to parley with the Earl of Glouchester

Art Mac Murrough arriving to parley with the Earl of Glouchester

Jean Creton’s remarks on the speed of Art’s horse bears out what Alexander McKay-Smith states in his book Speed and the Thoroughbred  wherein he explains that the speed of the modern thoroughbred  is inherited in great part from the Irish Hobby and its descendants, the Connemara Pony and the Irish draught Horse. “This is not surprising” he writes “the name of the hobby comes from the Gaelic obann   meaning swift or fast.

So, the next time you see a Connemara remember its unique and noble ancestry.

PS. Henry VIII greatly admired the “Irish Hobby” for its natural, ambling gait and comfortable ride. He began racing his own specially bred Hobbys against horses owned by others of the English nobility. By 1816, Henry’s pastime would lead to the word “hobby” being entered in the dictionary with a new meaning: “a costly pastime indulged in by the idle rich.”

The Faddan More Psalter

Faddan More Psalter 8th Century from a bog in Tipperary

 

 

 

 

 

 

 

 

 

If we don’t have our history, we are orphans. I don’t know where I heard that phrase, or something similar, but it struck me as being a very profound statement.

The idea came to the fore this evening as I watched a replay of a documentary on the Fadden More Psalter. This psalter was discovered in a bog in Tipperrary, Ireland.  It dates from the 8th century and is an incredibly important find.

It has always been recognised  that Irish Christianity in the Middle Ages was different from the European or Roman Christianity: it was based on a monastic model as opposed to the hierarchical Roman model of Pope, Bishops, Priests and lay people.

This monastic model was, in fact, more akin to the Coptic Church and the Desert Father’s who sought isolation in the deserts in order to get closer to God. The similarity to the Coptic Church was not based on any hard evidence or concrete connection.

However, after painstaking restoration work, a remarkable discovery was made which points to a very tangible connection to the Coptic Church. On the inside of the leather cover of the psalter, the restorer found a pattern, the weave of which reminded him of ancient papyrus. Papyrus was not a material that had ever been cited in ancient Irish studies, nor was it a material that one would ever expect to see in Irish latitudes. After tests, however, the page on the inner part of the leather cover was confirmed as being papyrus: a material widely used in early Coptic manuscripts.

The connection between the Irish and Coptic Christianity is now even more intriguing. How did the papyrus get to Ireland?  How and why did it end up in a bog.

These are the fascinating questions raised by the discovery of the Fadden More Psalter. With regards to how it ended up in a bog, one theory is that it was hidden in the bog by a monk to save it from being destroyed by Viking raiders and that the monk himself did not survive to reclaim it. This seems like a plausible explanation.

Whatever the real story is, science and future treasures from the bogs will help us piece together the remarkable lives of our ancestors and their great love for the written word which has always been a notable feature of the Irish culture, right up to the present day.

The video about the Fadden More Psalter is at http://xrl.us/bmyn2p